Uncertainty can often
blur your surroundings.
The map is always there,
the lines signify the path
you need to follow.
You simply have to find
It is all in your hands.
© 2017 j.g. lewis
original content and images ©j.g. lewis
A thought du jour, my daily breath includes collected and conceived observations, questions of life, fortune cookie philosophies, reminders, messages of peace and simplicity, unsolicited advice, inspirations, quotes and words that got me thinking. They may get you thinking too . . .
There is very little that can be said about Eric Clapton that hasn’t already been said; except I saw him last night.
I’ve been listening to the musician, in all stages of his career, over the past five decades and he has been around even longer than that.
Through the years I’ve grown to appreciate Clapton more as a performer, recording artist, and as one of the greatest guitarists of all time, but I’ve never seen him live; until last night.
He was everything (and more) that I expected, playing selections from his lengthy career, and paying homage not only the blues artists who have influenced him but also to friends no longer with us.
Clapton and his band kicked of the Toronto concert with a cover of The Band’s The Shape I’m in, a fitting tribute to his longtime Canadian friend Robbie Robertson. Then, later, a tune he once recorded with Tina Turner: Tearing Us Apart.
The show was filled with both popular hits and selections you could tell he felt like playing. With a catalogue like Clapton’s there could have been even more hits, but he did what he had to do.
At age 79, Clapton’s seemingly effortless prowess on electric and acoustic guitar was both mature and effective. There were a lot of “wow” moments.
It was quite an evening.
What else can I say?
I'm like a pencil;
Still I write.
is a writer/photographer in Toronto.
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Restless now. Really for months, an urge
a need, to do something. Feel something.
An interest in objects, as much as anything.
Certain things mark a time. A sugar bowl, a
cookie tin; items, almost sacred. Empty, at
a glance, yet brimming with moments.
Grandmother long gone, she now finds
herself in a place. Voices. Ushered forward
by a child, young woman now, and held back
by memories. Her flesh, her blood, those
who raised her. Comfort. Restless still.
Words and thoughts, she wants to write.
She wants to write, but never has. Not like
this. Father’s firm disposition, a mother’s
tenderness, a voice that softened her reality.
She wants to write, like she wants to believe.
Decisions made, not regretted, but pondered.
The ink is fresh, the pen permanent.
A snap of memories, broken, diminished joys
not of parenthood, but of partners. She wants to
write about love; past and present and perhaps
more. She wants to write like she wants to breathe.
Ink flows smoothly. Her blood. History always
an interest, this is more personal.
Shameless, blameless admissions, only to herself
and a page presenting itself as a stranger. Now
it offers its skin as a lover. The smooth, thick pen,
heavy and hard between her fingers, finds a rhythm.
An object desired. She wants to write, like she
wants to feel. She has, and will again.
Never like this. Minute details reiterate her faults. The
pen’s nib, ever constant, captures lives left behind,
but still within. If only her heart, if not in her life.
The pen moves forward, she still there. Now. Every
letter, each stanza reveals a voice. A need.
She wants to write, like she wants to bleed.