What shows
how little
we know?
What can be is
oft far less than
what we expect.
What is now
has never been
what it was.
07/25/2024 j.g.l.
value beyond
Simplicity.
Is there emotion in austerity?
Humanity?
What do you see when attempting
to define your limited visibility?
Minimalism, abstract impressionism
or incorporeal thought.
Less is more, but is it enough?
Texture, tone, and value beyond
your current scene. If you take it to an
extreme, you will question
what it means.
What is really there?
What line do you cross?
Can simplicity be complicated, or
should it even be attempted?
07/23/2024 j.g.l.
Mondays are just young Fridays
Things will not go as planned. Intentions will be disrupted, even overlooked, in the aftermath of an unexpected reality.
Where you are headed will not be the place you end up, undoubtedly or undeniably. No matter how hard you attempt to make each gesture, brushstroke, promise, prayer, or pastime as perfect as you believe it can be, many times you will not arrive at a perceived destination. All too often your endeavors never hit the mark; at times your work may be better than expected (celebrate those moments), but everything (even your judgement) is subjective.
You are not limited to, or by, the colours in your paintbox or progression of your process.
Imagination is as limited or expansive as you want it to be. Give it time to blossom; in certain instances, you may even have to reel it in. This is all about possibilities, no matter which media, method, or style you are beholden to.
You owe your art (or life) nothing but your presence; the value comes from the practice, as rudimentary or spontaneous as it is or will become.
07/22/2024 j.g.l.
I'm like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.
Like Jazz
Posted on April 20, 2016 by j.g.lewis
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Rhythm and pattern easily obscured, it’s what you feel,
not what is heard. Polyphonic syncopation, bass line
holds the inspiration well before anticipation, a rush of melody pushes
to the fore you hear it again, but never have before.
Rim shot crack
cymbals crash,
the beat is burning, and falls
like ash. It marches and it swings,
like laughter, it is tears.
Emotionally charged, by no means irreverent, it suddenly switches gears.
History more than the future, a time though, never passed.
As definite as prayer,
cool as a sweaty glass. Full moon rising
heroin highs
the music lives on
the player only dies.
Straight up from the psyche, deep down in the core, no matter the decade,
more than less though less is more. Solo piano
full of vigor the notes interpret all you have known.
Time signature changes, on a dime, or rolled up bill, the rhythm method,
it comes from the gut
no matter how it is played or how it is cut. Free form.
It is life, it is living, it is solid, it is forgiving. As simple or as complex as a saxophone riff,
no four-chord progressions. Never boring. Never stiff.
Wholly original, as much as it is copied, and studied, sweated over, with notes cast asunder, improvisation, muddied by emotion
perpetual motion, realization, over and under.
Though practiced it is free, it is glossy, and messed up, so dirty it is clean.
Quietly you dream, completely obsessed. A blue note cries out
to lovers
and all the others,
calmer, smoother sounds, longer linear melodic lines, you don’t listen as much
as you go for a ride. Off the charts,
it’s art and it’s plastered with culture,
a contradiction not comprehensible, it is not responsible
should you dream a life totally possessed.
More about attitude than instrument of choice, the minor keys and major chords create it’s own noise. Structured silence played oh-so-slow in parts of deep reflection, blood rushing through the vein, it steps back then it rises up, triumphantly, again. Again
and again, and again.
Only a genre is to say night is just darkness, or a day is but a year,
it goes down easy with dinner, or a six pack of beer, seedy downtown club
or a scratchy vinyl disc
it comes with a purpose, arrives full of risk. It nourishes the soul from a rhythm, whatever it has, whatever it be
we should all live like jazz.
© 2016 j.g. lewis
