sunlight navigates its way
between
what was and what
is still to come
friday
not just any day
you find the freedom
to notice
transformation happening
as it should
look up
will you see what you should
or observe
all you have neglected
04/26/2024 j.g.l.
Qualifying questions, remedial response.
Knowledge of situations often haunt.
What we know or have been told.
We tell ourselves we just don’t know.
Answers formed by thoughts untold.
Rumour and misinformation often sold.
Conspiracy theories tend to rule the day.
Bare truth and logic will get in the way.
04/22/2024 j.g.l.
Current Thoughts
Open your mouth, let words
bypass lips. Converse consciously
to brethren or bystanders.
Reach out to
close friends gone amiss.
Be not afraid, not now, of
articulating current thoughts and
accomplishments of which
you are proud, and even your sins
(for we have all owned a few)
might seem far less tragic
from an altered point of view.
Give fresh voice
to insecurities and anxieties hidden
within your self, speak highly of
those dusty dreams
languishing on a shelf.
Past sullen moments cast a
lengthy shadow, short-term
expectations tend to dull down
long-term possibilities.
Talk freely around all you want,
or hope, or desire to be.
Each intention will resonate
with those who wholly believe.
Understanding takes effort.
© 2024 j.g. lewis
April 18th is Poem in Your Pocket Day
a day to celebrate poetry by selecting a poem,
carrying it in your pocket, and sharing with the
friends and strangers who cross your path.
Share a poem wherever the day takes you, as you
would share a smile, a gesture, or your kindness.
Sharing is caring.
April is Poetry Month
take a poem to lunch
I'm like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.
The angel at the table glares back across the clutter. Dirty dishes,
candy bar wrappers and tuna tins. Self-rolled cigarette smolders
on a side plate, the ashes of those before spilling over. Ignored.
Kitchen bulb, harsh and bare, casts bearded shadows across
the squalor. Joni Mitchell crackles from the speakers — a record
once played for a daughter — offering only the slightest comfort
needed on a day like today. A day where she
could use a friend as much as a fix. Depression familiar
to women who’ve lost a child, a fortune fit for no one.
A decade has passed, but not the pain.
The philandering husband who chose to grieve in other ways,
salt in a wound that never heals.
Self-medicating.
First doctor prescribed, then vintage imbibed. Now whatever
is there, whatever it takes, whatever she can find. She can
ill afford to be picky. The dollar-store diet, fortified by
middle-of-the-night gas station cravings, her pallid skin and
coarse complexion more becoming of an anorexic,
or crack whore.
Years of low-wages, welfare, and tricks turned in-between.
Home is now a third-floor walk-up furnished with a bed, table,
two chairs, a suitcase, and an old stereo. Nothing much.
Not even a photograph.
Inconsequential items pawned off, lost, or left behind.
Addictions, afflictions, and poverty can prune away all that
does not matter, and all that does not belong. Stagnant air
seasoned by sour milk and cigarettes, and bed sheets soiled
by the sweat of men who visit. It should never have been.
The angel has watched it all unfold.
Of course she cries, but only to herself.
Who else will weep?
A random ambulance screams into the night, flashing lights
animate the roomful of nothing. Street-level shouts from
a crowd of drunks, the white noise of her dark days. Searching
for a vein between the scabs and bruises, lesions that mark
a dead-end journey, finding space at the elbow’s crease
next to the ripening furuncle. She ties off and with hinky hand
stabs the needle into a tiny patch of waiting flesh.
A fervent rush consumes her entire being. Staring back at
the angel’s emerald eyes, her vision goes from transparent
to translucent, and then, not at all.
The angel wistfully watches,
a scene played out countless times before, shakes her head,
rises to her feet and shuts the battered door.
© 2016 j.g. lewis
I’m like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.