Look past the faults.
Keep moving forward.
original content and images ©j.g. lewis
A thought du jour, my daily breath includes collected and conceived observations, questions of life, fortune cookie philosophies, reminders, messages of peace and simplicity, unsolicited advice, inspirations, quotes and words that got me thinking. They may get you thinking too . . .
So, I make mistakes.
An oversight or three, here and there, or an error or lack of judgment can (and will) happen. My lack of foresight simply happens.
We do not learn from our mistakes, but rather we learn from the experience.
You cannot prepare yourself for all probabilities knowing a mistake is a likely possibility.
Experience comes from noticing what you are paying attention to.
Maybe this Moon
with the power it bleeds
will illuminate more
Maybe this Moon
it simply cannot forget.
Some of us will relate
while others regret.
Maybe that Moon knows
what it is all worth
and sets an example
for those looking up
from this earth.
I'm like a pencil;
Still I write.
is a writer/photographer in Toronto.
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Rhythm and pattern easily obscured, it’s what you feel,
not what is heard. Polyphonic syncopation, bass line
holds the inspiration well before anticipation, a rush of melody pushes
to the fore you hear it again, but never have before.
Rim shot crack
the beat is burning, and falls
like ash. It marches and it swings,
like laughter, it is tears.
Emotionally charged, by no means irreverent, it suddenly switches gears.
History more than the future, a time though, never passed.
As definite as prayer,
cool as a sweaty glass. Full moon rising
the music lives on
the player only dies.
Straight up from the psyche, deep down in the core, no matter the decade,
more than less though less is more. Solo piano
full of vigor the notes interpret all you have known.
Time signature changes, on a dime, or rolled up bill, the rhythm method,
it comes from the gut
no matter how it is played or how it is cut. Free form.
It is life, it is living, it is solid, it is forgiving. As simple or as complex as a saxophone riff,
no four-chord progressions. Never boring. Never stiff.
Wholly original, as much as it is copied, and studied, sweated over, with notes cast asunder, improvisation, muddied by emotion
perpetual motion, realization, over and under.
Though practiced it is free, it is glossy, and messed up, so dirty it is clean.
Quietly you dream, completely obsessed. A blue note cries out
and all the others,
calmer, smoother sounds, longer linear melodic lines, you don’t listen as much
as you go for a ride. Off the charts,
it’s art and it’s plastered with culture,
a contradiction not comprehensible, it is not responsible
should you dream a life totally possessed.
More about attitude than instrument of choice, the minor keys and major chords create it’s own noise. Structured silence played oh-so-slow in parts of deep reflection, blood rushing through the vein, it steps back then it rises up, triumphantly, again. Again
and again, and again.
Only a genre is to say night is just darkness, or a day is but a year,
it goes down easy with dinner, or a six pack of beer, seedy downtown club
or a scratchy vinyl disc
it comes with a purpose, arrives full of risk. It nourishes the soul from a rhythm, whatever it has, whatever it be
we should all live like jazz.