Month: April 2020

Posted on April 10, 2020 by j.g.lewisLeave a comment

each day

every year ahead

will bring surprises

 

your eyes

will see

more beauty

your ears

will hear whispers

and symphonies

 

and your heart

will understand

and acknowledge

all you need to know

 

listen

see

and feel

 

j.g.l.

05/26/2017

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Posted on April 9, 2020 by j.g.lewisLeave a comment

In absence of light I tried

counting raindrops,

losing tally at three thousand, two

hundred and thirty-seven, or

forty

or so.

I was not counting them all; only

the loudest, the ones

I thought hurt the most.

The others, I am convinced

there were many, fell

silently, normally,

naturally.

Gravity.

I tire of counting.

Why

do we keep track

of things

that cause

pain?

 

j.g.l.  03/11/2017

 

 

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Posted on April 8, 2020 by j.g.lewisLeave a comment

Rhythm and pattern easily obscured, it’s what you feel,
not what is heard. Polyphonic syncopation,                     bass line
holds the inspiration                 well before anticipation, a rush of melody pushes
to the fore                              you hear it again, but never have before.
Rim shot crack
cymbals crash,
the beat is burning, and falls
like ash.                                      It marches and it swings,
like laughter, it is tears.
Emotionally charged, by no means irreverent, it suddenly switches gears.
History more than the future, a time though, never passed.
As definite as prayer,
cool as a sweaty glass.                             Full moon rising
heroin highs
the music lives on
the player only dies.
Straight up from the psyche, deep down in the core, no matter the decade,
more than less though less is more.                                Solo piano
full of vigor                            the notes interpret all you have known.
Time signature changes, on a dime, or rolled up bill, the rhythm method,
it comes from the gut
no matter how it is played or how it is cut.                        Free form.
It is life, it is living, it is solid, it is forgiving. As simple or as complex as a saxophone riff,
no four-chord progressions.                         Never boring.                                  Never stiff.
Wholly original, as much as it is copied, and studied, sweated over, with notes cast asunder, improvisation,              muddied by emotion
perpetual motion,          realization, over and under.
Though practiced                 it is free, it is glossy, and messed up, so dirty it is clean.
Quietly you dream, completely obsessed.                     A blue note cries out
to lovers
and all the others,
calmer, smoother sounds, longer linear melodic lines, you don’t listen as much
as you go for a ride.                           Off the charts,
it’s art and it’s plastered with culture,
a contradiction not comprehensible, it is not responsible
should you dream a life totally possessed.
More about attitude than instrument of choice, the minor keys and major chords create it’s own noise. Structured silence played oh-so-slow in parts of deep reflection, blood rushing through the vein, it steps back then it rises up, triumphantly, again. Again
and again, and again.
Only a genre is to say night is just darkness, or a day is but a year,
it goes down easy with dinner, or a six pack of beer, seedy downtown club

or a scratchy vinyl disc
it comes with a purpose, arrives full of risk. It nourishes the soul from a rhythm, whatever it has,                  whatever it be
we should all live like jazz.

 

j.g.l.    04/20/2016