“When you want to hurry something, that means you no longer care
about it and you want to get on to other things.”
                                                     – Robert M. Pirsig

I’ve been re-reading Persig’s Zen and The Art of Motorcycle Maintenance over the past couple of months. I breezed through it the first time, but now I’m reading slowly and paying more attention.

A newsroom colleague lent me the book in the decade after it was published, and some of Pirsig’s philosophies have struck a chord in the years since. The 40-year-old book is based around a journey (aren’t all stories, really?) but just as the author states; the book actually has little to do with maintaining a motorcycle and even less with Zen Buddhism.

The book explores society’s relationship with each other, with technology, self-satisfaction and Persig’s profound philosophies on life’s fundamental questions.

An engaging book, I first read it over a weekend and many of the ideals have come back at certain points in my life. Persig speaks of quality, and how to mindfully squeeze more out of your life. It’s ironic, however, that when I first read the book I missed the lesson quoted above. I was hurrying through the book. Decades later I realize I may have not absorbed one of the greatest lessons in the pages.

Much of my life has been chronic hurry. I’m not sure when it started, or why it continued, but I have spent a lot of time rushing to meet deadlines or obligations, to reach my next goal, to get something done, or to be somewhere. In my early years it was keeping up with the latest trends, or getting to the next party or happening. Later it was rushing to the next appointment, or the next city.

I know it’s not just me. I think we, as a society, have developed into a culture of hurry. Multi-tasking is part of our daily dialogue and the introduction and rapid advancement of technologies has enabled us to do more and see more, at the same time. Along with this progress we have heaped expectations onto ourselves, as have others.

As a result, more often than not, it feels like we are always rushing.

We are continually off to meetings, to dinner, to work, to the theatre; we always seem to be hurrying. Commerce and capitalists embraced this change and have created ways that allow us to do whatever we could before, but quicker now with express lanes, drive-in restaurants, and online banking and shopping. It is, apparently, called convenience, as much as it is called progress.

We take on more work, because apparently we can. And we hurry.

‘Hurry’ is described by Oxford as moving or acting with great or undue haste. All of us have become hasty; we rush to get the job done.

Look at your work at the office; was it completed accurately, thoroughly, and properly, as you multi-tasked your way through the allotted time? Were you getting the job done, or just getting through the day? Did you care about the work you were producing, or just the next task on your agenda?

As our professional lives creep into our personal lives in this imbalanced work/life balance, we take the attributes of hurry along with us. Did you care about the meal you prepared after speeding home from the workplace, or did you rush it?

You know what it’s like to hurry a meal, to sit at the dinner table and discover a little too much pink in the meat, or too much bone in the broccoli. Or, more so, you arrive home hungry after battling rush-hour traffic and don’t even bother preparing the nutritious meal you were planning. Instead you zap one of those microwave entrees designed for people in a hurry, or you take only the time to boil water for your instant noodles. Even then you rush through the chore because you had other things to do, or things you thought could be done at the same time.

In the process you hurried through both tasks. Did you care about either? Really?

As we hurry we learn shortcuts that allow us to keep up the frenetic pace, like ironing only the collar and front of the shirt (you’re wearing a blazer anyway). But like that shirt, the job is never really complete. Take off the jacket and you will see the wrinkles of a job done poorly.

There is no efficiency in hurrying. Still it is expected of us: at work, at home, by ourselves, and in life in general.

I’ve hurried through preparation and presentations, relationships, and lunches with friends, all with the perception that I had something else or something better to do. I’ve also hurried to pack for a business trip only to discover half of my wardrobe was left hanging in the closet or at the dry cleaners.

How efficient was my hurry? I’m reminded of a bumper sticker (or coffee mug) I saw years ago: ‘The hurrier I go, the behinder I get.’

Whatever happened to patience, to persevering through the pain and annoyance and even the mundane tasks to arrive at satisfaction in what you were doing?

I used to think patience meant slowing down, but that is not the case. It’s about taking the right amount of time to do the task right. I’ve hurried through manuscripts; I wrote in a hurry, I edited in a hurry, and I submitted in a hurry. It’s not that the work wasn’t good . . . it just wasn’t good enough.

Hurrying is not economical. You spend more money on gas, on food, on your clothing. You misuse your energy. When you hurry you make financial decisions that will plague you for years. A split-second decision can disrupt, even kill, relationships. How many times have we heard the idiom ‘haste makes waste’?

I’ve been trying, over the past couple of years, to find and implement my patience. It has been trying because you need to unlearn and relearn what it is you do, and what it is you want. You have to cultivate patience, and you have to allow it the proper time.

Patience comes from within; it must be nurtured, it must be respected, and it must confront all the hurry that is imposed on us. Patience is not always there. As I write this I’m trying not to hurry to meet a self-imposed deadline. Still I keep trying to have more patience with myself, as I take the time to plan and organize (and not hurry though the process). I try not to think of what comes next.

I try to care. I try not to hurry.

Most times our lives are hectic and hurried. Does that mean we no longer care about how we are living? I hope not, because there is only one option to living, and I’m in no hurry to do that.

Lifeless mitten lays in wait. Abandoned, stiff
atop a crunchy snow bank. The sidewalk
passes by, unknowing. Throbbing red fingers,
a child’s frostbitten hand, shiver beneath a
coat sleeve. Somewhere. Seeking warmth,
comfort against winter’s harsh reality.

Unclaimed. A mitten separated from its
purpose. We all, young and older, leave
pieces of ourselves scattered throughout time.
Paperbacks, pens, sunglasses, yoga mats,
carelessly or accidentally discarded.
A laundromat sock with no mate.

Possessions or promises, more lost
than found. Feelings, emotions cast
astray. Hopelessly lost. A lone mitten,
pieces of ourselves. Where do we
go when a bit of us is missing, when
our purpose is unrealized?

Where then, when we seek warmth.
are we? Waiting to be reunited with
missing parts? Another hand to hold?
Another day. Our fingers still numb, the
lone mitten still there. The sidewalk
passes by. We remain incomplete.

Alice Cooper turned 67 last week.

It may not mean a lot to a lot of people, or it may mean everything to a generation of fans, but it meant something to me and I didn’t totally realize why when the date flashed on the screen. Each day we hear news of a celebrity birthday, or death, but this one scratched a scab on my psyche.

Alice Cooper was my first. He was the first singer/band I actively followed, and the album Killer was my first record. Well, I owned records before that, and I’d always listened to my brother’s albums (it started The Monkees), but Killer was the first rock and roll record I had an interest in. I didn’t own the whole thing; I was only a shareholder (my brother was 50 cents short, and managed to talk me out of the few quarters I had), but that initial investment launched me on a lifetime enjoyment of music.

I finally owned a piece of rock and roll.

Killer was everything rock music should be to a 1l-year-old kid. From the cover image of the boa constrictor to lyrics that fascinated and delighted a young mind, the album was dangerous. It was revolution; it was three-chord, loud and proud, guitar-based rock and roll with a backbeat big enough to wake the dead (or your parents). Cooper was a screamer, and the band played to its shock rock limits and were, perhaps, even more creative than what others offered at the time

The music sounded like everything you heard and read about the musician.

Through the years other artists have come and gone, or fallen out of favor. Some have remained cherished favorites; I still can’t explain a lifelong affinity for Pete Townsend and The Who, or Joni Mitchell. I was saddened by the news of Joe Cocker’s recent passing, still have a moment of repose on the anniversary of Kurt Cobain’s suicide, and have millions of moments inspired by other artists and albums.

But Cooper is significant because he led me into this journey. He was my white rabbit. The moment the turntable’s needle hit the vinyl, I embarked on this path of searching for great music. I’ve purchased, collected, and accumulated thousands of records. My love of music led me to writing a weekly review column for a daily newspaper, and eventually led to a full-fledged career as a writer. It may have been because of Alice Cooper.

That’s not to say Cooper remained at the top of my list. When I recently changed cities, I was forced to select only about 500 albums from a massive collection to bring with me. None of Cooper’s albums made the move.

I guess Cooper no longer spoke to me. I knew I tired, decades ago, of the form and format of most of his follow-ups. He never again rose to the brilliance of Welcome To My Nightmare, the epic 1975 disc in which everything the singer represented was distilled into a near-perfect thematic album. The record contained perhaps the first top 40 single that openly spoke of domestic violence, and was stuffed with the lush keyboards and arrangements producer Bob Ezrin would later use with Kiss (an act that took more than a few moves from Cooper’s playlist. I hesitate in using the term ‘rip off”)

But it’s not as much about the music as it is about the moments etched into the dusty grooves of an LP, the clean crisp bytes of a CD, or the hiss and pop of a mixed tape.

We all have moments in time easily brought back by music. A love song, a chorus, chord or hook that takes you back to doing nothing important with teenaged friends, or a particular night at one particular party, a first kiss and more, a breakup; or a person, a lover, or a daughter. Memory. The songs may belong to the artist, but the music belongs to you.

Alice Cooper’s birthday took me back over four decades.

Now Cooper is not getting any younger . . . and neither am I. Still I can return, even if just briefly, and fondly remember a time, a certain time, when I discovered the magic of music. I found something that interested me enough to keep listening. It was my introduction to pop culture.

There are many such moments, and others I probably reference more than Alice Cooper. I still remember the first time I played Springsteen’s Jungleland and was in awe of not only the melody and musicianship but of the sheer lyrical poetry. Behind Blue Eyes from Who’s Next does the same thing. A certain selection by Yo-Yo Ma can transport me to a certain place. I remember the radio recognizing a public shift in style each time I hear I Love the Night Life by Alicia Bridges, or Doobie Brothers Minute by Minute or, much later, Nirvana’s Smells Like Teen Spirit.

All are moments marked by a particular passage or piece of music, steps on our ladder as we move on and move up. And we keep moving up that ladder.

Music changes. So do we. Alice Cooper is older, and so am I.

Moments and reflection, these days, are not as easy to come by. Artists, like us mere mortals, will not live forever physically, yet through their music times remain immortal. That, in itself, is a reason to keep on listening.

“Man makes your hair grey, he’s your life’s mistake
All you’re really looking for’s an even break
He lies right at you, you know hate this game
he slaps you once in a while and
you live and love in pain.
She cries alone at night too often,
he smokes and drinks and don’t come home at all.
Only women bleed . . .”
                                                       – Alice Cooper

Restless now. Really for months, an urge
a need, to do something. Feel something.
An interest in objects, as much as anything.
Certain things mark a time. A sugar bowl, a
cookie tin; items, almost sacred. Empty, at
a glance, yet brimming with moments.

Grandmother long gone, she now finds
herself in a place. Voices. Ushered forward
by a child, young woman now, and held back
by memories. Her flesh, her blood, those
who raised her. Comfort. Restless still.
Words and thoughts, she wants to write.

She wants to write, but never has. Not like
this. Father’s firm disposition, a mother’s
tenderness, a voice that softened her reality.
She wants to write, like she wants to believe.
Decisions made, not regretted, but pondered.
The ink is fresh, the pen permanent.

A snap of memories, broken, diminished joys
not of parenthood, but of partners. She wants to
write about love; past and present and perhaps
more. She wants to write like she wants to breathe.
Ink flows smoothly. Her blood. History always
an interest, this is more personal.

Shameless, blameless admissions, only to herself
and a page presenting itself as a stranger. Now
it offers its skin as a lover. The smooth, thick pen,
heavy and hard between her fingers, finds a rhythm.
An object desired. She wants to write, like she
wants to feel. She has, and will again.

Never like this. Minute details reiterate her faults. The
pen’s nib, ever constant, captures lives left behind,
but still within. If only her heart, if not in her life.
The pen moves forward, she still there. Now. Every
letter, each stanza reveals a voice. A need.
She wants to write, like she wants to bleed.

Of Patience and Pain

Saturday night in the ER, it could be 11 or
thereabouts. Time matters not when you are
waiting. Each visitor here has a purpose,
they would not be here had they not. Incessant
florescent lighting obliterates all time. It
could be morning, as easily as it is night.

Settling into chairs of modicum comfort, we wait.
Mothers clutch screaming children, a husband
and a wife, not speaking. Who knows what each
is feeling? Minutes pass slower, punctuated by
coughing and crying. Conversations about nothing,
ailments and symptoms. Disease. I am here, alone.

Why bother someone else with a pain I cannot
control; a pain only I can explain. It is personal.
We all sit, amidst yesterday’s newspaper and
someone else’s problems. We muster the patience
to deal with the sickness, the boredom, the pain,
and the antiseptic scent of helplessness.

An elderly couple sits, three hours now, immune
to the commotion of reckless drunks with bloody
noses. They are quiet, respectful. More people come
and go. And wait. Gradually others take their turn, as
the rest of us wait, not knowing when our time
will come. We hope it is soon, but know it is not.

The elderly gentleman does not remove his hat. She,
tired and hurting, rests her head on his shoulder. He
is her strength. He is there for her, as always and now.
At one point he stands, takes her arm and guides
her to the washroom. He waits outside, as if guarding
his cherished possession. She is there for him. Always.

All those hours in the ER, he held her hand the
entire time. I know nothing of her ailments or
of their history, but I recognize, can plainly see,
all that is there. Love. In his palm, it is in their
lives. A type of love I do not own, perhaps a kind
of love I might have known. Not here.

This couple, a lifetime of love that keeps them
holding hands, in sickness and in health. Closer
now. Till death do them part. Patience, even
through the commotion of the ER and all they
have experienced in life. Love. Time matters
not, when you have the patience required.